#emotionally avoidant

[where-dreams-dwell]

Dexter is a cautionary tale of the need to accept discomfort as a part of life, with Emma as his contrast and aspirational example.

Throughout the show Emma embodies determination and self assurance. The only reason she thinks she can change the world is.. because why couldn’t she? In contrast Dexter has no idea what he wants and kind of resents having to even think about it, hence his jumping between careers and looking for purpose for the whole show.

While Em knows what she wants emotionally (the satisfaction or having made a difference, the achievement of doing what she always wanted) but isn’t sure on the specifics of what that will look like (I’ll write plays, no write poetry, no I’ll teach, okay no I’ll write a book), Dexter knows the specifics (I’ll be rich and famous) but doesn’t know what he wants emotionally (‘what will that look like?’ ‘I don’t know’).

While Dex is always running from uncomfortable feelings Em faces then head on and comes out the other side, able to learn from them.

As Dex is travelling to put off making long term decisions, Em has taken the first opportunity to do what she wants: writing, be it books, poems or in this instance plays.

On holiday Dex can’t allow himself to admit that he fancy’s Em and to leave it at that, he has to run from the honesty and vulnerability of that moment by adding on ‘but I pretty much fancy everyone’. In doing this you could argue that he looses his chance with her for several years, where as Emma’s confidence could have resulted in them getting together much sooner.

Dex misses his mothers last birthday because he doesn’t want to face reality. Instead of reacting to the fear and anger and pain of her diagnosis by spending every moment he can with her, or sitting down to have heart to heart talks with her, or helping her out in any meaningful way Dex runs away and numbs himself with substances, and is passed out for the little time he is in her presence.

When he’s nervous people won’t (or already don’t) like him on TV he again turns to substances to numb his feelings, and (instead of taking Em’s advice to ignore them) looks for reassurance from hangers on who don’t actually know him that well. He can’t sit in that worry/fear/discomfort so he finds a way to stop feeling.

When Dex’s marriage falls apart we see him running away to Paris to visit Em. And sure there are ulterior motives here (his hope and assuming that this could be the start of their romantic relationship) but the writer shows him literally traveling away from the country where his failed marriage, child and previous life were as he is show to be angrily talking about his divorce. As an image it appears like he’s running away from the reality of the divorce or running to Em for a distraction. It definitely supports Ems assumptions that he’s not serious about a relationship with her; she’s seen this behaviour in Dex before.

It’s even funny how in small ways we don’t see him handle upsetting things until the very end. Talking about his first marriage and the production the day became? Dex admits he didn’t want to rock the boat so he didn’t fight anything/reject anything/ have much say at all in his wedding. Sylvie drops off Jasmine? Dex is still at the cafe so Em is the one managing slightly awkward small talk. Jasmine practising her violin? We get a brief moment with Dex too but mainly it’s Em sitting through the recitals. In that last episode when they’re struggling with fertility, Em is the one who sits down and talks out her anger and fear and worry, where as Dex (who probably knew what the root of it all was) was happy to leave her to process it how she need to and support her while she did. If she hadn’t brought it up he wouldn’t have said anything.

That’s not becisarily a bad thing (Dex could have known that Em needed to process it herself before talking to him) but it is interesting that the writers engineer Dex to avoid all these moments of emotional discomfort. It reinforces his characterisation of being avoidant when confronted with conflict.

In contrast we kind of constantly see Em having to face hard moments and working through them.

Don’t know what to do with your life? Move to London to try and aim to work in your dream field. London life and restaurant job not going the way you planned? Commit to Dex’s suggestion of teacher training. Time to confess a secret? Here’s a hugely personal one about my past feelings for you. Past crush admits he kind-if fancy’s you? Stick to being honest about your past feelings and don’t take the opening to downplay them. You feel shit about your life and your secret affair? Well let’s turn that into motivation to finally write that book.

Not happy with your long term partner? End the relationship.

Emma’s whole confrontation with Ian is a masterclass in facing difficult conversations and emotions, being vulnerable and open and honest about your feelings, and finding empathy for another outside your point of view. And look what she gains from facing that hard in comfortable conversation? Closure, and a kind of friendship, one that lasts even after she dies.

When Dex confessed that he hoped they would start a romantic relationship in Paris, Em sits him down and starts that hard conversation about how she doesn’t think that is 1) what he even wants and 2) would work between them. She doesn’t brush off of hide from the conversation. And then when she has more information and time to think she commits to Dex.

Even after they sleep together there’s a scene of Em laying the ground rules, making it clear to Dex what she will and won’t stand in this relationship. That’s an awkward conversation to have but Em doesn’t hesitate and makes sure he knows from the get go what she expects and deserves. The writers are constantly showing us ‘Em doesn’t run from uncomfortable feelings’.

And then the tragic twist of fate: Emma is gone and Dexter finally has to learn to live with emotional discomfort. He can’t keep running because there is no escaping this, not like he did with his mum. Like he says to Imaginary-Emma ‘why would time change anything’. He is going to feel like this forever, there is no escaping it. Finally he is learning to face it, manage it, and work through it.

Of course Emma is far more than a literally device and is her own layered and well established character. But in this regard for Dex it’s almost as if she’s the final lesson for him to work through to grow up enough so he can eventually choose to return to the place they met.

And it could even come across as a reward for him; in learning to live with those difficult emotions, his reward is being able to remember Emma fondly, and to return to the place they met to seek out those memories. The memories are bittersweet, but now he remembers Emma as she was and not how she never got to be.

Like his dad said, he is eventually able to ‘live [his] life as if she were still here’ but in order to do that he first had to accept that she was gone.

[aaredhell]

Internally: Screaming and crying and ripping and tearing at the walls of my mind

Externally: “Obviously if not, no worries!”

[bighugsbadtimes]

[seventeendeer]

ppl are too quick to point to laios' disability as the reason his friends think he's a freak sometimes. so many instances of laios getting yelled at are, in my eyes, a case of "this guy had to emotionally mature very early in order to be there for his little sister" combined with "much older friends who never had to learn to manage their own emotions to the same degree"

a lot of the time he's right about needing to be more direct/deal with things in a way that may seem scary/needing to put your gut reaction aside. he tries not to make his friends uncomfortable and he puts up with a lot because he's trying to keep the peace, but he also pushes the others out of their comfort zones purposefully to try to get them to think more constructively. everyone else in the party is prone to acting on their gut instincts and avoiding uncomfortable situations even when facing them head-on is very much necessary. part of what makes laios such a great leader is the fact that he knows from experience how to put his own feelings aside to help someone else grow.

yes, he does make a lot of social blunders by accident and he does struggle to connect with others, but not all of his positive influence on others is accidental or "despite" making people uncomfortable. a lot of the time, I think it's clear he knows exactly what he's doing and he's trying to help the people around him process emotions in a healthy way as they all go through some truly harrowing shit. all the main characters support each other as well as they can with their unique emotional skillsets. laios' skillset just happens to be "gently talk child into eating her vegetables"

[jonathanbyersphd]

Oh, it is OVER for the Wheeler Siblings

[the-mpreg-guy]

the hill that i will die on is that cas would have never said he loved dean if he had to deal with the consequences of it afterwards, meanwhile dean (who was SUPPOSED to tell cas he loved him in the original crypt scene script) would have eventually worked up to saying it without external pressure

[solarmorrigan]

oooh. fic requests! how about 6 - fight or 19 - allergies for steddie?

Hello! I'm sorry it took so long to get to this one, but I hope it's alright! I went with:

6. Fight - Steddie

cw: implied/referenced child abuse, implied/referenced domestic violence, unhealthy relationship dynamics (not between Eddie and Steve)

-

The most frustrating thing about fighting with Steve is that he doesn’t fight. Not really.

Sure, he’ll poke and he’ll prod and he’ll snip and he’ll snap; he’ll dole out bitchy, passive aggressive comments and roll his eyes and sigh pointedly, but the moment things get heated, the moment an argument gets real, it’s just–

“Fine. Fine,” Steve snaps, tossing his hands up with an exasperated huff. “You’re right, okay? I’m– I’m sorry.”

And at first, Eddie had always felt so vindicated, so flush with the triumph of winning an argument, that it had taken him a while to realize that it felt– wrong. That Steve—so confident, so sure in his opinions, so willing to stand up to people when he has something to defend—would just give in without a fight– it feels wrong.

So Eddie had tried to pay attention – really pay attention. They don’t fight often, but when an argument inevitably does crop up, Eddie always wins. Rather, Steve always lets him. He never raises his voice, never gets in Eddie’s face, never really even makes counterarguments. He cedes to Eddie’s points and then subsides and it’s– it’s infuriating, because Eddie doesn’t understand.

“Don’t do that,” Eddie growls, tugging a frustrated hand through his hair.

“Don’t– what? Don’t apologize?” Steve asks incredulously.

“No!” Eddie bursts out. “Not if you don’t mean it!”

“Excuse me?” Steve draws back, offended. “What the hell do you want me to do to prove I’m sincere? Get on my knees and fucking grovel?”

“That’s not–” Eddie leaves off with a frustrated noise, trying hard to keep his tone level. “I don’t want to win an argument just because you let me. I don’t want you to apologize just because you think it’s what I want to hear.”

“I’m not letting you win,” Steve says quickly, crossing his arms over his chest.

“You are, though. You do. Every time. You won’t actually engage, you just say I’m right and then clam up and that’s it,” Eddie says.

Steve levels him with a look of disbelief. “So– what, you want me to yell at you? You want me to tell you that you’re wrong?”

“I want–” Eddie pinches the bridge of his nose, taking a second to gather his thoughts. “I want you to feel like you’re allowed to argue with me. I don’t want you to just give in and then resent me or something.”

“I don’t resent you, Eddie,” Steve says with a roll of his eyes.

“No?” Eddie pushes. “How many times have we gone to bed after an argument with me perfectly satisfied, thinking I’ve won, while you’re actually still mad at me?”

“That’s– I don’t…” Steve shifts uncomfortably. “If I’m still mad, that’s my problem. I can just get over it.”

“But that’s exactly what I mean!” Eddie insists. “That shit builds up! And besides, what if you’re the one who’s really right? I might actually be wrong, and you should tell me. Or maybe there’s some kind of, like, compromise we can reach, I don’t know! I don’t want you to be afraid to push back – I don’t want you to be afraid of me.”

“I’m not afraid of you,” Steve says, jaw jutting out stubbornly when Eddie fixes him with a considering look. “I’m not. I’m just– how long before yelling turns into a screaming match? How long before it turns into throwing shit around, or– or shoving each other, or worse?”

“Steve…” Eddie murmurs, the last of his heated frustration draining away, leaving a clammy kind of dismay in its place. “Steve, I would never do any of those things to you.”

“I know,” Steve says, and it sounds like he means it. “I know that. But what if I–”

“No,” Eddie says firmly, because he thinks he understands now – Steve isn’t afraid of him, he’s afraid of himself. Afraid of turning into everything he’d been raised around: the blowout arguments between his parents, his mom’s petty destruction of his dad’s things, his dad’s frustration turned back on Steve, a cycle of violent familial bullshit that Steve is determined to break free from, even if it means saying that he’s wrong every time. Eddie comes forward, grabbing Steve’s hands; he can’t even remember what they’d been arguing about moments before, but he knows he doesn’t care anymore. “You would never do that. I know you, Steve, you are nothing like that.”

Steve looks down at their joined hands, blinking rapidly. “This– you… You’re more important than winning. Than any stupid argument,” he says.

“That’s exactly why we should have stupid arguments,” Eddie says, grinning a little when that gets a choked laugh out of Steve. “I’m serious. Let’s have stupid, petty arguments so they don’t turn into big ones. I swear I’m not going to stay mad if you get on my ass about not doing the dishes.”

Slowly, Steve nods. He doesn’t entirely look like he believes Eddie, but that’s fine. It’s always been like this – Steve unwilling (or unable) to believe that someone will love him if he doesn’t make it easy for them. Eddie’s been breaking that down, bit by bit, and this is no different. This is no chore.

“I’ll still love you even when I’m angry. Even when you’re angry,” Eddie promises. “I just love you, full stop.”

Steve nods again, more certain this time as he looks up to meet Eddie’s eyes. “I love you, too,” he says, because he always, always says it back, which suits Eddie just fine.

He figures if they can agree on that much, every other disagreement will be a breeze.

[nova-moon13]

[julesnichols]

The reason I'm not very sold on divorce theory (yet) is that it makes sense for Mark to feel guilty as is? In the sense that based on the last of the flashbacks we saw and the way he told Reghabi "you think about all the things you'd do to get them back" it's clear that he and Gemma weren't in a good place and like with most things related to Gemma, Mark Scout's flashbacks in 2.07 were idealizing the memory of their relationship rather than truly remembering how it actually was and who she actually was. If that makes sense. And that glimpse in the kitchen when they decided to stop trying and the scene where Mark tore apart the crib, along with stuff that's been said/implied along the way show how their relationship ACTUALLY was by the end of it.

And so I don't know if it's necessary for him to have been getting ready to file for divorce to feel guilty, because he was already emotionally checking out. Mark avoids his emotions and his problems. Recognizing that he's checked out and filing for divorce just feels, to me, like more self awareness than I think he honestly might've had?

So I think it's likely that maybe he and Gemma were on a path to being done but I'm just not totally sold that divorce papers were imminent tbh because our boy avoids his problems until he smacks into them like a brick wall

[witchstone]

look at me. look me in the eyes. i know this is going to be hard to hear. you do however need to hear it. but jason todd is not a daddy dom

[siflooping]

haunted hats au loopdile is hilarious ngl bc its very much a Situationship and is very heavily influenced by the following facts:

1) odile loves people who qualify as natural disasters more than they do a person

2) odile has dogshit emotional intelligence but thats precisely why loop feels the safest / calmest around her

3) loop is both a grieving widow and harry dubois and they cant help but make it everyones problem

4) once loop has explained the Situation to odile the best they can, they cling onto her like a barnacle. sir thats their emotional support awkward middle aged woman

5) odile lets it happen even though she'd normally be put off by it bc she lowkey wants to put loop under a microscope on every level. they make NO damn sense but they compel her.

[respectthepetty]

A small collection of scenes where Qian avoids eye contact and shuts down when confronted with and overwhelmed by Feelings™

Sidenote: He tried shutting down on the phone too

He was overwhelmed

But through the power of friendship (San Pang has put in the Lord's work with his buddy!) and the power of love, my man Qian is going to stop shutting off his emotions and start looking people in their faces whenever he has to have honest conversations about his feelings.

Another sidenote: Qian was playing with a lighter in his dark room instead of turning on the light like the tiny emotionally guarded man he is.

Chris Chiu, the actor you are.

[runespoor7]

Do think it's very crunchy that WWX only defends his new flavor of the month in the ancestral hall. Not himself. Not WN, to whom JC did arguably have a life debt and for whom WWX did dump JC. Not any of these old things; just the shiny new hot powerful protective dude that he doesn't have any meaningful preexisting bond with and that he's been falling for since returning and running away from his previous life.

Just the perfect, serene blank slate of novelty (and the guilty undercurrent of once again feeling something that isn't socially acceptable and won't be welcome).

[brainrot-jikan]

im not the biggest alhaitham/kaveh shipper (because im a rare pair ho) but it seems to me that in alhaitham/kaveh getting-together fics tend to be... unequal.

the beautiful thing about alhaitham and kaveh is that they're both equally right and equally wrong and equally dicks about it. but the writers for alhaitham/kaveh much more frequently seem to give alhaitham the burden change (the burden of the character flaw) instead of kaveh.

in any good character arc, the main character has a fatal flaw or misconception, and by the end of that arc they have addressed that flaw in some definitive way. scrooge was a scrooge and learned that being that way was detrimental; merlin from finding nemo was overprotective to a fault and had to learn that he couldn't (and shouldn't) control everything and to let go; the wolf from little red riding hood learns that you should stop while you're ahead.

stories centering around romance tend to lean heavily on character arcs, which makes sense. and since romance generally requires two individuals to be vulnerable and open and emotional with each other, it makes double sense that alhaitham/kaveh authors zoom straight into alhaitham's lack of emotional vulnerability.

this bothers me.

in society, individuals are expected to experience and present emotions in a specific way. if someone dies, you cry. if someone smiles at you, you smile back. if you're at a party, you're supposed to be having fun. if you don't do these things, you're seen as impolite at best and a inhuman freak at worst. when these behaviors are frequent it's often viewed as emotional immaturity, or a lack of ability to feel at all. the inability or lack of willingness to conform to societies emotional expectations of you is seen as a flaw and a reason for exclusion.

alhaitham is canonically disliked and avoided for being the way he is. he prefers it this way, but that doesn't mean the people perpetuating this avoidance are in the right. they are the societal pressure to conform that alhaitham blows off. alhaitham could be the way he is for a lot of reasons: avoidant attachment style, trauma, following someone else's example (eg. his grandmother), or just his base personality. it doesn't MATTER. he is the way he is. kaveh having to accept that should be part of the story.

putting the burden of the fatal flaw on alhaitham, making the way alhaitham treats kaveh and the people around him the problem, feels invalidating. it implies heavily that alhaitham's way of interfacing with the world, alhaitham's very SELF, is incorrect. my suggestion is to flip a larger portion of that burden onto kaveh. kaveh 👏 character 👏 arcs 👏

some examples/recommendations:

- make kaveh project his insecurities onto other people but especially onto alhaitham; he's overly reliant on other people for his own self worth, and he perceives alhaitham's lack of positive feedback as a direct reflection of how alhaitham feels about him. but learns along the way that alhaitham doesn't hate him, kaveh's actual struggle is with hating himself and being unable to his own self as worthy of love. maybe throw in how you are responsible for your own recovery, other people can help but you can't rely on them to carry you through self actualization.

- or, kaveh tries to make alhaitham behave more like a "normal" person, to be more pleasant and emotive and forthcoming, and then realizes he's in the wrong for trying to make alhaitham into something he's not, possibly for all the wrong reasons (not because he likes alhaitham better like that, but bc society says that's healthier and a better/more conforming way to be)

- or you could go ahead make alhaitham's issues the main problem but they're too complicated to overcome in a short period of time, so kaveh has to accept alhaitham is doing his best in his own way and not push for unrealistic and unhealthy changes. he could alter his own behavior to give alhaitham space and time and a safe place to land.

that got sappy so it's past time for me to dip out. go forth and ship things; but maybe consider letting alhaitham be a rude stone-faced bastard if he wants to be.

[qoldenskies]

it makes me laugh when people write mikey as a sweet little angel. like sire he has his moments where you're like "how the fuck is this kid still breathing" but he's so grumpy when he wants to be lmfao 😭

i love him he sucks soooo bad

[goingferalapparently]

the jaidens on the can you hear it mini-event and we all know ab their chat shenanigans

but like. how about this one. (after the dungeon crawl, when they're at the ordo discussing theories)

they're so silly.... their friendship means so much to me